Brown Leather Notebook

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Ceramic exhibition; an undergraduate senior thesis from Cornell College
Rebinding a found mass-market paperback copy of Fahrenheit 451
A cedar-lined floating-panel quilt chest made as a wedding gift for a friend
Leather-bound softcover notebook made of paper Trader Joe's bags
A dot paper notebook bound in orange cloth with a polished maple inlay and graphite edge
Ceramic portfolio for work completed after earning a B.A. from Cornell College
Grey cloth-bound blank account book in traditional German springback style with matte silver foil cover decoration
Blank drawing book with textured paper covered with yellow buckram
A handmade six-stringed acoustic folk instrument made of white oak
Hand-tooled leather bracelets with brass snap

This blank book is another of many examples of material experimentation. The cover is upholstery leather (faux leather, really), which is quite thin, but not thin enough to turn in at the corners as neatly as I'd like. It may see some future use as an inlay or quarter-binding material. The page edges are colored with a red wax crayon, worked in by hand to an even matte finish.

The foil strips on the spine are inspired by traditional leather binding, which often has raised bars across the spine, which were not originally decorative; they covered cords that the text block was sewn to for structural reinforcement, and labeling on the spine was put between these ridges for protection from accidental damage. At this point the visual language is more prevalent than the construction methods it stemmed from, and the silver bars on this book are a reference to that tradition.