Brown Leather Notebook

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Blank drawing book with textured paper covered with yellow buckram
Ceramic portfolio for work completed after earning a B.A. from Cornell College
A handmade six-stringed acoustic folk instrument made of white oak
A blank notebook bound in brown faux-leather with silver foil spine decoration and red edges
Leather-bound softcover notebook made of paper Trader Joe's bags
Ceramic exhibition; an undergraduate senior thesis from Cornell College
A cedar-lined floating-panel quilt chest made as a wedding gift for a friend
Hand-tooled leather bracelets with brass snap
A dot paper notebook bound in orange cloth with a polished maple inlay and graphite edge

This blank book is another of many examples of material experimentation. The cover is upholstery leather (faux leather, really), which is quite thin, but not thin enough to turn in at the corners as neatly as I'd like. It may see some future use as an inlay or quarter-binding material. The page edges are colored with a red wax crayon, worked in by hand to an even matte finish.

The foil strips on the spine are inspired by traditional leather binding, which often has raised bars across the spine, which were not originally decorative; they covered cords that the text block was sewn to for structural reinforcement, and labeling on the spine was put between these ridges for protection from accidental damage. At this point the visual language is more prevalent than the construction methods it stemmed from, and the silver bars on this book are a reference to that tradition.